Spiritual Enlightenment is Post-Literate

The Razorâs Edge by Somerset Maugham is the story of Laurence âLarryâ Darrell, a young man who returned from war existentially troubled by the death of a comrade. Larry leaves his fiancĂŠ, Claire, for a year in Paris where he believes he can think through his troubled thoughts to their end. On his small veteranâs pension, he rents a quiet room and studies, learning Greek to read classics in their original tongue, living a life of the spirit. Originally published in 1944, I have a 1946 hard cover with double-spaced sentences. I reveled in every yellowed page of this monastic fantasy.
When Claire comes to Paris to fetch Larry after his year away, he declares his intention to continue. ââBut Larryâ, she smiled. âPeople have been asking those questions for thousands of years. If they could be answered, surely theyâd have been answered by nowââ. Larry thinks she has said something shrewd. âBut on the other hand you might say that if men has been asking them for thousands of years it proves that they canât help asking them and have to go on asking them.â Larry goes on travelling, ultimately finding his way to a monastery in India.
There is a movie adaptation by John Byram in 1984, starring Bill Murray in a rare serious role. The movie added a defining moment for me. It is not the moment of Larryâs enlightenment, not the shuddering of his head as he awakens, and not the mountain vista as he fathoms the interconnectedness of all things. It was his action just after his enlightenment that stuck with me, the moment when Larry burns his spiritual books.
I think often about books and their role in enlightenment. I think traditional literacy is essential in learning and scientific enlightenment. I also feel that spiritual enlightenment is post-literate. I wanted to read more on this matter, but it was not in the novel. Byrum might have added the burning scene for its visual effect on the screen, but I think there is more to it.
The road to enlightenment has traditionally been a literary one. In The Pilgrimâs Progress, Christian begins his journey after being troubled by âthe book in his handâ. Chris McCandlessâ pilgrimage to Alaska had its start and finish in literature.
The print version of The Razorâs Edge is narrated by the author, Maugham, serving as a messenger between the different worlds of Larry and Claire, and providing a more mature frame of reference. In the movie, Maughamâs character is absent. The powerful functions of Maugham, including the final dreadful confrontation with Claire, are assumed by Larry himself. This shift in focus away from the literary figure underscores my view that spiritual enlightenment is post-literate.
(There is also a 1946 movie adaptation by Edmund Goulding that I could barely finish watching. While both movies did a disservice to the sexuality of Claire, and to the implied homosexuality of the character Elliott, the 1946 movie did a worse job of it. It also cleansed Sophie, and in so doing killed her character more tragically than the story.)